Step inside the sound design and mix of Paul Thomas Anderson’s newest film, One Battle After Another, with this in-depth look at the work of the sound team. Featuring Re-recording mixer, supervising sound editor, sound designer Chris Scarabosio, Re-recording mixer Tony Villaflor and Production Sound Mixer José Antonio García.
When director Joe Kosinski and producer Jerry Bruckheimer set out to make “F1,” their goal was to create the most authentic Formula One film ever made.
Supervising Sound Editor, Re-recording Mixer, and Sound Designer Mixer David Acord and Supervising Sound Editor and Dialogue & ADR Supervisor Margit Pfeiffer join us to discuss the powerful, visceral sound of the final season of Andor.
In this exclusive SoundWorks Collection documentary, we dive deep into the mesmerizing world of Dune: Part Two and discover the creative brilliance behind its groundbreaking sound design.
In this exclusive SoundWorks Collection video, they explore the sound effects tracks of Can You Hear The Music scene and how this Oscar nominated sound team collaborated with Director Christopher Nolan.
SoundWorks explores the captivating sound design and music of Pixar's Inside Out 2, an emotional rollercoaster that explores the inner workings of a young mind.
Visionary director Denis Villeneuve discusses the creative benefits of early collaboration with his sound team, the process of crafting Dune's unique soundscapes including: Arrakis desert, sandworm, ornithopter, spice (melange) and the voice of the Bene Gesserit.
The incredible new adaptation of Dune, from director Denis Villeneuve, has some astonishing sound work, fully embracing the immersive capabilities of Dolby Atmos®.
In this exclusive video profile we feature the sound team behind Director Denis Villeneuve's, Blade Runner 2049.
The Dolby® Institute and the SoundWorks Collection have collaborated to produce a series of podcast conversations with the artists nominated for Academy Awards® for Best Achievement in Sound Editing and Best Achievement in Sound Mixing.
Supervising Sound Editor and Sound Designer Richard King discuss the sound teams extensive work on Director Christopher Nolan's immersive sci-fi film Interstellar.
A new take on the old classic franchise. Sound editor Cameron Frankley describes the work done on Terminator Salvation.
Walter Murch, while discussing the making of THX 1138, elaborates on his foundational 'worldizing' techniques.